This is the most popular post on the site, so I thought I would rewrite it and bring it up to date. I’ve also made a video of it, just in case you’re not into reading walls of text.
If you’re interested in downloading and playing The Sims Complete Collection, which comprises the original game and the seven expansion packs, it can be downloaded from Archive.org. It’s a download of over 2 GB and takes a while, but it works fine.
If this screen capture was taken in 2020 you could say she was about to have a Zoom meeting
If you’d rather stick with the original game, then read on.
A copy of the game and a modified version of sims.exe can be downloaded from here. Download at your own risk. If you have any technical questions, I’m afraid I can’t help you. I’m just the messenger…
If you own a copy of the original game, please use that instead. The only thing you will need is the modified sims.exe file for the final step. That can be downloaded from here
And finally…
Unzip the Sims zip file into a folder on your computer. If you own the original game on CD, copy everything into a folder on your computer.
Right-click on Setup.exe and select Run as Administrator
Install the game.
Once the game installs, navigate to C: Program Files (x86)\Maxis\The Sims (on older 32-bit computers the game installs into C: Program Files\Maxis\The Sims)
Rename the original sims.exe file to sims(old).exe. This is because we’re about to over-write it with a newer, modified version that’ll enable the game to run on a modern PC with no CD drive
Open a new Windows Explorer window and navigate to where you’ve either downloaded the entire game (look in the Crack folder) or the smaller modified sims.exe file. What you will be doing now is copying sims.exe into C: Program Files (x86)\Maxis\The Sims
With this done, there are only a couple more steps to take. The first one is to copy a shortcut to the computer’s desktop
In Windows 10, it’s simply a matter of right-clicking on Sims.exe and picking Send to/Desktop (create shortcut). In Windows 11, select Show More Options, then Send to Desktop (create shortcut)
Once you’re back on the desktop, right-click on the Sims shortcut you’ve just created and select Properties from the menu
Go to the Compatibility tab and choose an older operating system. Now you’re good to go.
If you find that the version of Windows you’ve chosen doesn’t work, try another.
If you played the original game, you may have used programs such as Sims Art Studio and Sims Homecrafter. None of these are working for me and I’m not going to chase those up to see if they can be made work again. The good news is that there are still lots and lots of custom-made Sims goodies (floors, walls, skins, objects) freely available online.
If the advice here doesn’t work, try the advice given on this site
Yet again, my talent for visiting heritage sites under scaffolding does not disappoint
Ormond Castle in Carrick-on-Suir is a little bit different to your usual castle visit. For starters, the site isn’t obviously a castle. What catches the eye aren’t the ruins of the castle which are there, but the Elizabethan Tudor manor house built onto it. As we know, Tudor manor houses aren’t all that common in Ireland. This one could’ve been soo much more Elizabethan if only Queen Elizabeth I (i.e. Ms Elizabethan herself) had bothered to come and visit.
Anyway, let’s go back a bit in time. A castle was first built on the site in the fourteenth century. At the time it was very close to the River Suir (as depicted in a rather nice model that’s on display in the visitor centre) and was strategically important. It was originally owned by the Wall family but was given to the powerful Butler Family. James Butler would later become the first Earl of Ormond. The Butler family, incidentally, also owned Kilkenny Castle for many centuries.
Model depicting the castle and the river
Over 200 years later, Thomas Butler, the Tenth Earl of Ormond built the Tudor manor house onto the castle. Black Tom, as he was also known, was a cousin of Queen Elizabeth I through her mother Anne Boleyn. He became close friends with Elizabeth. So close, in fact, that there were rumours they were more than good friends. Elizabeth was known to refer to him as her “Black husband”.
The Long Gallery (photo not mine)
Thomas invited Elizabeth to come visit him in Ireland and she accepted the invitation. In 1565 he built the manor house here, in preparation for her visit. As an Elizabethan-style house, it had larger windows, brick chimneys and a layout different to traditional Irish buildings. It has a beautiful long hall that has some pretty amazing stucco plasterwork on the walls and ceiling.
Sideways view of the model, showing how the manor house was built onto the castle
Disappointingly for Tom, Elizabeth was long on promises but short on action. She never did get around to visiting the manor house he had built for her.
“She had promised to visit when her Irish wars were won”
In 1588 Thomas became a Knight of the Garter and in 1597 he became Lieutenant General of Ireland in 1597. He also found the time to get married 3 times and fathered at least 16 children (4 inside the marriages, 12 elsewhere). When he died in 1614, his illegitimate son Piers FitzThomas Butler of Duiske benefited most from his will. This led to rumours that Piers might’ve been a child he’d had with Elizabeth.
Over time the financial clout and power of the Butler family diminished. The house was abandoned in the late 17th century and fell into ruin. The Butlers handed the site over to the Irish state in 1947
Some of the castle ruins
The castle and manor house have undergone significant restoration since then. In recent years the manor house was plastered over again. If you do a google image search, you can see plenty of photos of the manor house with its stonework exposed.
Even if Elizabeth couldn’t be bothered coming to visit, it is worth a trip if you fancy looking at something that isn’t yet another castle. There are some remnants of the castle on the site, including the tower house. The guided tour didn’t bring us in there but perhaps that may change in the future. There’s also a short film on the history of the castle and a museum with some interesting bits and bobs
Getting There
The castle closes over the winter time, so check Heritage Ireland’s website before planning your visit. As of 2024 its season is running from March-November. More details here
The castle is accessed through the park you can see on Google Streetview. Carrick on Suir is a busy town so you may not find parking right beside the castle. Astonishingly, the payment machine in the nearby council-run New Street Car Park didn’t offer a contactless card payment option. If you don’t have enough coins to hand (luckily we did) then you’re required to download an app and pre-load it with credit. That’s fine if you park in Co. Tipperary on a regular basis. If you’re on a one-time visitor then it’s daylight robbery.
I haven’t posted here for a while so I have some catching up to do. The first new/old post I’ll do is about the Temple Church in London. When staying in the city last year, I had the good fortune to stay in a (then) very reasonably priced hotel that was right next door.
Temple Church as seen through my hotel room window
I knew very little about the church other than that it popped up in The Da Vinci Code which I read about 20 years ago, and that it had something to do with the Knights Templar. It turns out to be far more interesting than that and has connections to one of my favourite places in Ireland.
Approaching from Fleet Street
The church is at the end of a laneway, a short walk from Fleet Street. It’s nestled in the middle of London’s legal district and is surrounded by impressive looking office buildings and gardens. It’s also nice and peaceful which is always welcome in this part of the world.
The West Doorway
The first thing of note when you reach the church is its impressive looking West Doorway. It’s the entrance into the round part of this unusual church – more of that in a moment. Part of the decorations on the doorway include heads wearing turbans, caps and buttons. Some of these point to the interesting history of the people who built it.
The organisation which became known as the Knights Templar was founded in 1118. One of its aims was to protect pilgrims travelling to and from Jerusalem. Although they were based in Jerusalem, in time they built a base in London. In 1162 a round church was built here, inspired by the (also round) Church of the Holy Sepulchre back in Jerusalem. A chancel was later added. The area surrounding the church became known as Temple and it became the centre of religious, political and political life in London.
The Best Knight That Ever Lived
The entrance into the church is just around the corner and once inside, you’re free to roam and get a good look at the place. One of the first things to be seen in the church are 9 male effigies on the floor. The most remarkable of them all is probably that of William Marshal, the first Earl of Pembroke. He has been described as “The Best Knight that Ever Lived”. He certainly lived an eventful life and his influence extended across into Ireland. Amongst other things, he was responsible for the building of Hook Lighthouse in County Wexford 😎 William served four Kings of England and was one of the main negotiators involved in the drawing up of the Magna Carta. Indeed he was one of the signatories of it. When excavations were carried out in the church in 1842, medieval coffins were found under the floor. These are thought to have included William.
Some of the effigies, along with 19th-century replicas of them. These were created before the church was badly damaged in 1941
Being a tower freak, it wasn’t long before I was heading up the stairs and into the gallery. Perhaps it’s for the best that I didn’t spot any signs of the creepy tiny penitential cell that’s just off the stairs. It’s little more than the size of a broom cupboard. The story goes that an unfortunate man called Walter Bachelor was locked into the cell and left to starve to death in 1301. Is the story true? It isn’t clear but it was just one of the nefarious rumours about the Templars which were floating around at the time. On Friday 13th October 1307, King Philip IV of France and Pope Clement V moved to end the Knights Templar. King Edward II handed the church over to the order of St. John.
Like just about every other old building, the church was tweaked over the years. Sir Christopher Wren made some changes to it, but nothing like what the Victorians did. Their alterations weren’t universally popular. However, most of that was lost on the night of 10th May 1941 when German bombers dropped over 700 tons of explosives over London. Along with the huge cost to human life (an estimated 1,400 deaths and 2,000 injuries), huge swathes of the city were destroyed. The Temple Church, which had survived the Great Fire of London, was one of the casualties. It was badly damaged during the fire and it took 14 years for the church to be fully repaired.
Encaustic tiles
Amusingly, some of the mediaeval-inspired encaustic floor tiles which the Victorians had laid survived. These can be seen up in the gallery and they’re very striking. I also learned a new word – encaustic, encaustic…
Wonky columns
The fire had shattered the original columns in the church, so new ones were quarried for it. The originals had been noted for their crookedness, so when they were rebuilding, they continued the tradition. It goes without saying that the fire also destroyed the original church organ. Its replacement came from an unlikely source – Glen Tanar castle in Scotland. The organ had originally been built for the castle ballroom but the acoustics in the room didn’t suit it. (As an aside, I’ve never seen so many deer antlers in the one place…). And so, the organ was gifted to the church by Lord Glentanar and it was shipped down to London. Not only did it sound much much better in its new home, it gained a reputation for being a really great organ. Much of the soundtrack to Christopher Nolan’s 2014 film Interstellar was recorded on this organ, with resident organist Roger Sayer collaborating with composer Hans Zimmer. Unfortunately, I visited on a Monday so I didn’t get to hear one of the church’s Wednesday lunchtime recitals.
Churches to visit are ten-a-penny in London but this one comes highly recommended. Even though it was badly damaged during the war, the painstaking restoration of it is superb. It’s an unusual church with an interesting, sometimes dark history. And by London admission price standards, the entrance fee is pretty reasonable (£5 at the time of writing)
Like many youngsters who grew up in the 1980s, the fortnightly pop magazine Smash Hits was a must-read. It was irreverent, funny, and colourful and supplied its young readers with an endless supply of posters for their bedroom walls. It was also a great way to keep tabs on who was currently poptastic and who was hurtling down the dumper to hang out with Belouis Some and Sigue Sigue Sputnik. Famously, Neil Tennant from the Pet Shop Boys worked for the magazine from 1982-1985, alongside Word in Your Ear stalwarts David Hepworth and Mark Ellen. The magazine folded in 2006 but it is still well remembered and loved amongst people of a certain age.
Neil Tennant on the front cover of his old employer’s fanzine
The Smash Hits office was at 52-55 Carnaby Street, in the Soho area of London. The New Musical Express (NME) offices were right across the street from them and apparently, these rivals weren’t having half as much fun as the Smash Hits journos. What never occurred to youthful me was that these offices were to be found upstairs over swankier shops and that they didn’t have shiny pop stars sashaying in and out through their doors all day.
Smash Hits HQ editorial meeting
There is a plaque on the wall of the building where Smash Hits used to be but there’s no mention of the iconic magazine. Instead, it commemorates the offices as being used by notorious rock manager Don Arden (father of Sharon Osbourne). Hopefully some day “they” will erect plaques for Smash Hits and the NME because for generations of music fans these magazines really were a big deal.
Smash Hits HQ (or was it Towers?), not that you’d know it
Carnaby Street in the 1960s was synonymous with swinging London but these days it’s about as cleaned up and nondescript as you can get. Even a nod to its past with a Rolling Stones pop-up shop doesn’t do much. Oh well, at least me and my frightwig were there. It’s just a shame it was 35 years too late.
If you’re of a certain age, you might enjoy looking back at old issues of Smash Hits. There are oodles of them online
During my trip to London in 2022, I visited the Cartoon Museum. I grew up reading DC Thomson comics and have a lot of nostalgia for the characters from The Beano, The Dandy, The Bunty, the Judy and The Mandy in particular. I grew out of reading comics when I was 10 or 11 but I still have a soft spot for clever current affairs cartoons. I also greatly admire the skill of the artists who draw these comic strips. And so, a visit to the Cartoon Museum in the centre of London was always going to be an easy sell.
Dennis the Menace. The infinitely superior one (sorry yanks)
I was really impressed by the friendly people behind the reception desk. One of them took the time to give me a good overview of what was on display and told a funny story about how the Beano means something different in the USA. Think wind, and not the weather sort. It also turned out that I knew one of his Irish relatives, which isn’t as weird as it sounds if you come from Ireland…
In museums and exhibitions like these, it never ceases to surprise me how far back some of the exhibits go. Cartoons were no exception, with some surprisingly old drawings. Thankfully these were a higher calibre than the offensive anti-Irish etchings which seemed to be a staple of Punch magazine back in the day. I think we tend to forget that people from the past were just as funny and acerbic and clued-in as we are now. Or at least, how we like to see ourselves.
Roy Hattersley
Needless to say, the many cartoons on the walls were really interesting. Some were funny, many were thought-provoking and some brought back memories of current affairs issues I’d mostly forgotten.
I was pleasantly surprised to see an actual old-school Spitting Image puppet on display. Back in the day, Spitting Image was must-see TV and some of their latex puppets become iconic in their own right. As I later learned, being made of latex means some of these old puppets have had to be restored. If you’re interested, the lady who restored the Roy Hattersley puppet has some interesting information here.
At the time of my visit, there was a Judge Dredd 45th anniversary exhibition on the go. The charms of Mr Dredd and his judgements passed me by but all the same, there was a lot to like in that section. You don’t have to be a fan of all of these genres to admire the work that the cartoonists put into their comic strips.
There is a room in the museum which brings those of us of a certain age straight back to primary school again. They encourage people of all ages to have fun drawing cartoons. What isn’t there to love about being able to sit in a brightly coloured room and play with crayons, pencil sharpeners and colouring pencils. The 5-year-old in us never dies! I might have baulked at trying to draw a caricature of the then UK prime minister Boris Johnson. Or should that be, Booo-ris Johnson.
In short, if you’re in any way interested in cartoons, satire, staring into Roy Hattersley’s false eyes or drawing superheroes in a playroom, the Cartoon Museum is worth a visit. It certainly woke the child in me. Oh, and the gift shop is pretty cool too.
While I was in London back in April, I spotted a large wooden hut that looked like Dr Who’s TARDIS if it had been a Siamese twin and had turned green around the gills from all the crazy adventures. Alas, the truth was a bit more grounded but at least there were no Daleks to deal with.
This hut (@Hyde Park Gate) is one of a number of Cabmen’s Shelters which can still be found around London. They were built by the Cabmen’s Shelter Fund which was founded in 1875. The idea for the shelter came about after journalist/gentleman with deep pockets George Armstrong tried to hail a cab during a blizzard but found that the taxi drivers were sheltering in a nearby pub and weren’t sipping orange juice and sparkling water. The idea behind these shelters was to give the cab drivers somewhere else to go and to stop them from getting drunk on the job. The cabs were built to be no bigger than a horse and cart and served food and hot drinks to the cabbies seeking some shelter. Needless to say, no alcohol was served at these huts.
The first hut was built at St. John’s Wood and it still stands to this day. In total, just over 60 huts were built in London over the coming years but only 13 survive now. The existing ones are run by the wonderfully titled Worshipful Company of Hackney Carriage Drivers and 10 of them are still in operation. Many of them now serve drinks and snacks to the public. The one I found is near Hyde Park Gate and wasn’t serving a morsel of anything 😦
The huts are now Grade II listed so all going well, they’ll be around for a while yet.
The show, for want of a better word, is being staged in the historic Hallmark Building on Leadenhall Street. For years, it was home to the London Metal Exchange and was the perfect setting for this. Even the windows look right for what’s going on inside.
Once you check-in at the venue, you’re assigned a “team” with whom you’ll experience the Martian invasion. You’re issued with a wrist band which makes it easier to know where to go. Amusingly, the young man who checked us in got mixed up so we were double-tagged 🙂
Deathly pale Irish skin alert!
And so, on to the experience itself. It’s described as being a mixture of live-action, multi-sensory effects and virtual reality. It follows the plotline of the 1978 Jeff Wayne album and either uses music and songs straight off that album or a score adapted from there. Really nice. At the beginning of the tour, we were greeted by a lady in Victorian dress who explained the ground rules and how to adjust the magical headwear we’d be popping on later on. By now everyone had put their phones away (no harm in that!) and were doing their best to pretend they were back in the early 1900s. And so, on to the show. Over the next hour and three quarters, we made our way through the set. Sometimes the settings were indoors, such as in people’s houses or outdoors (Horsell Common, most notably). Without spoiling too much, the first part largely involved live actors and sets, holograms and a surprise special effect or two. All of it was enjoyable but things really stepped up a gear once we got to wear the Virtual Reality headsets. I had never worn any sort of VR equipment before so it was great to experience it in such a spectacular way.
My first introduction to Virtual Reality here was a boat trip down the Thames and out to sea, soundtracked by Justin Hayward’s “Forever Autumn”. At the start of the boat trip (in which we were sitting in an actual wooden boat), it’s nice and pleasant and autumnal. By the end of it, London’s not looking too good after being trashed by those pesky Martians and we’re out at sea. Rough seas at that! It certainly felt real and that’s the praise the creators are after. Some of the footage can be seen in this short trailer by Layered Reality, the company staging this.
Half way through, there’s a chance to stop and have a drink at the Red Weed bar. This was a welcome break because experiencing a Martian invasion first-hand is thirsty work. A toilet is never unwelcome either, it has to be said.
It was all good fun, with the good-humoured actors adept at thinking on their feet when interacting with dumb members of the public. Special praise should go out to the lady who has undoubtedly heard those jokes about telephones never catching on about 5 squillion times. After surviving (spoiler alert!) the Martian invasion, we returned to real life and the bar outside.
Martian fighting machine in the bar
Overall, it comes highly recommended. One minor quibble, which has nothing to do with show itself, is about the VR headsets. I wear glasses most of the time and would have found life a little bit easier if I’d popped in a pair of contact lenses before going to this. My specs didn’t spoil the experience by any means but they sometimes made taking the headsets on and off a bit of a faff. Anyway, enough of that. If you are thinking of going, keep an eye out for special promotions or vouchers to reduce the entry cost.
On a final note, when my friend and I walked outside afterwards and looked up along the street, we noted that The Gherkin seemed to be looming over us ominously…
A recent trip to Galway afforded me the opportunity to “bag” another round tower. And so, I went in search of the tower at Roscam, which is on the outskirts of the city, overlooking Oranmore Bay. It’s a beautiful location, though the view is hampered somewhat by the inevitable development on the other side of the bay.
Very little is known about the monastery which once stood here. It is thought it may have been established here in the 5th century, which would make it one of the oldest monastic settlements in Ireland. It has been associated with St. Patrick (yep, that one) and with Odran, brother to St. Ciarán of Clonmacnoise. In 807, the site was attacked by those serial monastery pillagers, the Vikings. The monastery might also be where the bones of King Brión mac Echach Muigmedóin were brought to by Saint Aedus. There are question marks as to whether King Brión ever actually existed so you can make up your own mind.
The putlock holes are still visible on the tower
The tower stands 10.98m tall and is unusual for two reasons. One is that the lintelled doorway is quite low to the ground. The other is that the tower still has numerous putlock (or putlog) holes on its external walls. These were used to support scaffolding while the towers were being built, but were covered up afterwards. The presence of these holes in the tower raises doubts as to whether this particular one was ever finished. There is just one window in the tower, directly over the door. At some point afterwards, somebody attempted to add some height to the tower but the new stonework is not of the quality of what went before.
The church, and some company…
Close to the tower are the ruins of a medieval church. I wasn’t able to get near them because of the extensive stone walls and unclimbable gates in the area. Some of these are the remnants of ancient fortifications and they’re still doing their work effectively in 2021!
Far more interesting is the ancient graveyard which overlooks the bay. It doesn’t appear to be still in use but it looks like it was used extensively over the centuries. It’s populated with lots of broken, illegible headstones and rocks and it’s wonderful. There are two large bullaun stones in there as well, one of which is associated with St. Patrick. It seems the great snake banisher was also a dab hand at making round dents in big rocks.
One of the bullaun stones in the grave yard
By a long shot, this was the trickiest round tower to get to. For better or worse, I accessed it by driving along the Rosshill Road, then walked (carefully!) along the rocky beach that runs south of the site. Then some clambering over stone walls and navigating electric fences came into the equation. The tower is in the middle of a working farm, so naturally the animals come first.
Every now and then, a new round tower gets added to the list of known towers. In 2018, some mortar from a ruined tower in the grounds of a grammar school in Derry were radiocarbon dated. It had been thought that the tower was a ruined windmill but the analysis of the mortar revealed it to be an older building. Evidence suggests it could quite likely be a round tower that had been known to have stood in the area.
The rediscovery of the tower at Liathmore, Co. Tipperary took place nearly 50 years before this. In 1969-70 Dr. Robin E. Glasscock from Queens University, Belfast led excavations at this site. The foundations of the tower were found, along with some worked ashlars which were later used to reconstruct the base. The foundations went to a depth of 2.6 metres which is unusually deep for a round tower. As to why the tower vanished and was forgotten about, that’s anybody’s guess. Subsequent to the excavations, the Office of Public Works (OPW) reconstructed the base of the tower using the material found during the dig. The base is surrounded by a larger circular stone wall, constructed by the OPW to protect it from cattle.
The reconstructed base of Liathmore Round Tower. To its north is the smaller and older of the two churches here.
The monastery here was founded by St. Mochoemóg in the early 7th century. Tradition has it that he is buried in the larger church. And in a blurring of fact and fiction, he features in some versions of the Children of Lir story as the monk who baptised the four swans and turned them back into humans. Local folklore has it that every four years, four swans return to the area and spend a week here.
The tower base is situated almost half way between two ruined churches. Apart from these, there is evidence of a settlement which once existed here, perhaps until the 16th or 17th century. These lumps and bumps in the ground are easily visible in the area around the larger church
Aerial photo of the tower base and the two churches.
The smaller of the two is an 11th-century oratory. The larger church dates from the 12th century, though it was modified after that. Alterations made in the 15th century are quite noticeable here. There is a loft and steps that access the roof. This church has some interesting features, including some carved heads over the doorway and a Sheela-na-Gig that’s a little hard to find unless you know where to look (fnar). I visited this site on a sunny summer’s evening and wasn’t able to get a decent picture of said exhibitionist. So if you’re curious, there are pics on the “Ireland’s Síle na Gigs” website.
This site wouldn’t make it onto my “must see” list but it was a pleasant way to spend a sunny summer’s evening. The larger church in particular is interesting to look at. Because it’s a much altered building, there are random carvings set into doorways and masonry to look at inside.
Heads!
Getting There
This site is trickier to find than most of the others because it is on private farmland and isn’t signposted from the main road. The entrance to the farm, and the farm track out to the site, look a bit different to the 2009 Google Streetview imagery. Other online accounts of visiting this site mention the mud and advise wearing wellies, so I left my visit to this one until we’d had a dry spell of weather.
Killeshin is a small village in County Laois, just a few kilometres from Carlow town. It is also the site of former monastery, founded by either St. Comgan or St. Diarmait in the 5th century. It seems to have been a monastic site of note in its early days and was mentioned in historical literature. Little remains of this monastery now – according to the information board on the site it was mostly destroyed in 1077 AD. The only historic artefacts which are to be found there now are now are the ruins of a later church, a pretty amazing Hiberno-Romanesque doorway, and a baptismal font. But first, can I lament the demolition of its round tower in 1703? Hell, it’s my blog so I can do what I want to 🙂
Extract from Ordnance Survey Ireland historical 25″ map
The graveyard in Killeshin isn’t that large these days but until 1703, there was a round tower in the south-western corner of the graveyard. It seems to have been in pretty poor condition by that time but the worst was yet to come. The tower is recorded as having been 105 feet high (32m) and lay to the north-west of the church. It was “this was taken down in 1703 because the owner feared that it might fall on his cattle!“ . So in short, let me smite Colonel Wolseley who decided to demolish the tower, and add my voice of support to the Protestant Bishop of Leighlin who was “very displeased with him.”.
The Hiberno-Romanesque doorway in the gable end of Killeshin church
Despite this, the cemetery in Killeshin is still worth a visit if Romanesque doorways are your thing. The church ruins here are mostly from the 12th century and comprise mainly of two gable ends and plenty of fresh air in between. One of the gable ends has a window that looks out into the nice Laois countryside but it’s for the doorway that these ruins are most notable.
Part of the inscription dedicated to Diarmit MacMurrough
The doorway is in the unique “Hiberno-Romanesque” style and is one of the best examples to be found on the island of Ireland. To add an element of intrigue, the doorway may have been commissioned by the notorious Diarmit MacMurrough, the Irish king whose actions led to the English first coming to Ireland. There is an inscription in the doorway which reads ‘Orait do Diarmait Ri Lagen‘ or ‘a prayer for Diarmait, King of Leinster’ if your Irish is a bit rusty.
Regardless of who commissioned the doorway, it’s wonderful. It’s covered with all sorts of carvings, from written text to animal heads to all sorts of decorations. I’d go as far as to say it’s mesmerising if you have any liking for crumbly old ruins at all.
Getting There
It is an easy site to find – it is signposted and is on the side of a country road. It is a 2 minute walk from the current Killeshin Catholic church. The church’s car park is the handiest place to leave your four-wheeled means of transport. The cemetery is beautifully maintained – indeed on the evening I called in there was somebody mowing the grass.
Bogwarrior.com 